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Filmmaker Interview by Chris Olson Hi Ranw, great to be interviewing you. Please tell us a little bit about you and your filmmaking? Great to be here—thanks for having me! My name is Ranw Aso-Rashid. My journey into filmmaking has been anything but traditional. I originally studied Biomedicine at the University of Westminster before becoming a qualified science teacher and later Head of Department at a secondary school. But storytelling has always been a passion of mine. At 19, I made my first micro-short film on an iPhone. Later, while teaching, I started making films with my students, which eventually led me to establish AR Studios. Since then, I’ve written, produced, and directed 10 films, including Whispers of Redemption, The Silent Choice (a KINO Original currently on the international festival circuit), and Our Little Act of Rebellion, an international co-production. At AR Studios, I’m fortunate to work with incredible industry mentors, including development consultant Deborah Sheppard, script consultant Pete Daly, and Executive Producer Marcus Liversedge. Our ambitious documentary slate is now entering production, with support from Oscar-nominated producer Hanna Polak and BAFTA-nominated executive producer Clare Richards (Founder of We Are Doc Women). Beyond my work as a filmmaker, I also serve as a judge for the BIFA-qualifying KINO Film Festival and the British Short Film Awards. Filmmaking, for me, is about telling stories that challenge perspectives and leave a lasting impact. I’m always looking for bold, meaningful narratives that push boundaries. Tell us about your new film, Our Little Act of Rebellion. How would you describe the plot of the movie? At 75, Konstantine spends his birthday reminiscing over old photographs with his caregiver, Eleni. But when he stumbles upon a picture of Aysha—a woman he met in a private music club in 1974—memories he thought were long buried begin to resurface. What starts as nostalgia soon unravels into something deeper, revealing a past intertwined with political turmoil, forbidden love, and the secrets hidden within music. As the echoes of that fleeting yet powerful connection grow stronger, Konstantine is drawn back to the club that once changed everything. But some stories aren’t finished yet. Why did you want to make this film? I was drawn to this story because it weaves together themes of forbidden love, political tension, and personal memory—elements that resonate across cultures and generations. At its heart, it’s a deeply human story about connection, loss, and the way the past lingers in unexpected ways, especially regarding experiences that have remained hidden until this film came along. Unlike many filmmakers, especially producers, I am risk-focused rather than risk-averse. I actively seek out bold, challenging projects rather than shying away from them. Knowing how complex this film would be—both as a story and as an international co-production—only fueled my determination to make it happen. I also saw it as an opportunity to push myself, working with a reasonably sized professional crew while ensuring underrepresented stories reach a wider audience in mainstream indie cinema. It sounds great! What were the challenges getting it made? Every film comes with its challenges, and this one was no exception. Time always seemed to be slipping away—long shoots, tight schedules, and the constant race against the clock. There were moments when shots needed to be changed, and I had to ensure the crew stayed on track to keep to our schedule. But, honestly, I thrive in high-stress situations, and I approached these challenges with humor and a calm mindset, which helped keep the momentum going. I made sure to personally know the crew by name, thank everyone for their efforts, and keep the camaraderie with the cast strong. They were absolutely superb, and maintaining that positive energy throughout the process was key. The live music scenes were particularly time-consuming to set up, but I leaned on my teaching background to break down clear instructions for the crew, ensuring everyone knew exactly what we were doing. Seeing the crew and cast working in harmony was incredibly rewarding. Despite the long hours, I found it all fun—there's something exhilarating about being in the thick of it. I remember when we wrapped at nearly 2am on July 31st, I still had the energy to shoot! But, of course, we had to wrap eventually. What stage is the film currently in? The film finished post-production in February 2025, and is about to begin its festival journey, courtesy of KINO London. Our world premiere will take place in Athens this summer, followed by a special screening in London later this year. For those eager to get a first look, we’ll also be releasing the official trailer on our social media channels soon. We’re currently in talks with ERTFLIX for a Greece-territory acquisition, as well as discussions with distributors for global distribution. After completing its festival run, the film will be available on demand via Vimeo and other key distribution platforms before eventually being fully publicly available online. Why do you make movies? I make films because stories are the most powerful way to connect us—to our emotions, to each other, and to the truths we sometimes struggle to face. At the heart of my work is human fragility—the raw, unfiltered moments that shape us. My stories often come from the many students and young people I have taught, coached, and mentored. Their struggles, dreams, and resilience have profoundly influenced my storytelling. I want to give voices to experiences that might otherwise go unheard, to explore sensitive topics with honesty, and to challenge genre conventions in ways that feel fresh and daring. I am heavily inspired by Frank Darabont’s screenwriting, the visceral, unapologetic storytelling of Quentin Tarantino, and the way Christopher Nolan elevates narrative through music—how a single note can change everything. There is always a part of me in the stories I write, produce, and direct. Each film is, in some way, a reflection of something deeply personal. And ultimately, telling these stories isn’t just thrilling—it’s cathartic. It’s therapeutic. My journey into filmmaking began in the classroom, at Friern Barnet School, with the support of my headteacher, Simon Horne. I started making films with my students, and that experience changed everything for me. Watching young people gain confidence, discover their creative voices, and see new career possibilities because of filmmaking—that was the moment I knew this was what I had to do. To this day, I’ve had over 130 students involved in my productions, gaining work experience, volunteering, receiving mentorship, and even landing their first paid jobs. That impact, that ability to shape lives through film, is what drives me. I make movies because I believe in the power of storytelling—not just to entertain, but to inspire, challenge, and transform. What advice would you give to someone just starting a career in filmmaking? The best advice I can give is simple: just start. Film school can help, but not essential. I did biomedicine at university and have learnt my way into the industry. Only do it if you're passionate though. Don’t wait for permission, don’t wait for the perfect camera—use your iPhone, your Android, whatever you have. Make films with your friends. Experiment. Learn by doing. The more you create, the more you’ll grow. Go to networking events. Find people who are passionate about what you love. Surround yourself with those who push you to be better. And if you’re serious about getting into the industry, reach out to AR Studios. We’re highly connected in the independent film scene, not just in the UK but increasingly in Europe and the USA. We’ve provided countless opportunities for young filmmakers to connect with experienced Heads of Department and industry professionals—people who can help you take that next step. But beyond that, understand this: filmmaking is an incredible but tough industry. Don’t enter it expecting to make friends in the personal sense—protect your boundaries, know your worth, and be mindful of who you let into your creative space. Educate yourself on the challenges and issues within the industry, and always stay informed. Read up on what’s happening in film every week using online outlets. Knowledge is power. Above all—keep making work. No one’s going to hand you a career. You build it, one film at a time. Who would you love to work with and why? I would absolutely love to work with Colman Domingo. As an actor, he brings an incredible depth to every role he plays, and his performances are always layered with so much truth and intensity. What really draws me to him is not just his talent, but his dedication to storytelling—how he fully commits to his characters and elevates every project he’s part of. I also deeply admire the way he helped bring Sing Sing to life. His involvement went beyond acting—he was part of the creative process, working to ensure the film was made with authenticity and heart. That kind of passion for storytelling and commitment to meaningful projects is something I resonate with. Working with someone like him, who not only delivers powerhouse performances but also understands the bigger picture of filmmaking, would be an incredible experience. What's next for you? Next, I’m diving deeper into TV development. I’m currently working on three TV series, one of which is an adaptation of Our Little Act of Rebellion. It’s a project I’m incredibly excited about, and I’m in talks with a potential co-producer to bring it to life. On top of that, a major streamer has officially solicited the submission of the project, which is a thrilling next step.

★★★★ Starring: #Demz, #RoryWaltonSmith, #TeniOsho Directed by: #Shayaan Short Film Review by: Alexandra James Demzzz Type Beat , directed by Shayaan follows three gang members as they make themselves known across the city, inflicting violence on those that attempt to cross them. However, for one of the members, he becomes haunted by those he has killed, and we witness the conflict between the loyalty to his crew and his conscience. With a few twists and turns Shayaan creates a dark and gritty short film and exposes the dangerous corners of the city and those that fight to become top dog at all costs. What really stood out within this short film was the editing, from the beginning the audience are met with a very enticing scene as our main character is walking towards the screen and another character is running backwards in slow motion. Very intense and dramatic and completely gripped me. The locations in every scene were similarly noteworthy, looking up at the city and taking it all in the vastness and striking buildings, contrasted by the underground dark and gloomy car parks with the broken lights adds a lot of depth to the story. The acting was a bit of a mixture, many of the scenes were convincing and reflected that hard exterior of a gangster. However, there were times when that masked slipped and points where we needed that strong, no-nonsense attitude which did not always seem to come across. For the main character, this is where that blend of toughness and fear was prominent and necessary, the character himself had many layers than what meets the eye. This was a very interesting storyline and character to pick apart, as you go deeper into his conscience you can see that there is more to him that is complex as he battles with what’s right and wrong but also keeping up this tough persona which makes for a perfect main character to follow. A very hard-hitting short film with great characters that make you want to invest more. Director Shayaan has really elevated this piece with his use of dynamic editing which really added his own uniqueness and created an original flare, these simple touches are what shapes your own stamp to your work and sets this film apart from the rest.

★★★ Starring: #AshleyLarson, #JakeMoon, #CristenStephansky, #ClareWilliams, #AndyZibritosksy Directed by: #JimHails Short Film Review by: Alexandra James Chocolate chip a crazy an absurd short film that shows the effects of how bad pregnancy cravings can get! However, this might be a slightly exaggerated interpretation, but the emotions are very much the same. Director Jim Hails creates a series of surreal scenes and introduces us first to the character Sarah Wilson, a young woman who is heavily pregnant eating snacks and watching TV late into the night. An advertisement for a chocolate chip cookie appears on the screen, this is all she can focus on and becomes fixated with feeding this hunger. After much deliberation she decides to make the journey to locate some cookies, however, along the way Sarah is met with some extraordinary scenarios. One word to describe this film would be trippy, there is an edge to this film that makes it unique and even have a retro feel to it, from the style in which the TV adverts were filmed to the locations such as the small diners and laser tag spot. The film is left to the audience to determine whether this is a hallucinogenic nightmare or an anxiety driven storyline from the perspective of Sarah. It’s an attempt to convey just how deep her emotions run from the viewpoint of a pregnant woman. As Sarah attempts to scout out the chocolate chip cookies, she has a strange encounter with a robber, who demands all the money from the till but also all the chocolate chip cookies in the joint. A disgruntled Sarah abides but can’t help but think this is completely unfair and takes it upon herself to track down this cookie thief and take back what’s rightfully hers! This film may seem a little far-fetched to some, but it does make for a funny and engaging storyline. The acting seemed overexaggerated in some scenes, but this was to match the overall craziness and did still work well. I did really enjoy the way this short was filmed the look and feel of the film did have that retro vibe which ultimately felt quite comforting in a strange way, but coupled with the crazy storyline it gave the film a twist and want to engage more with the characters and ultimately find out how this story ends for poor Sarah and her strong desire for a simple chocolate chip cookie. Jim Hail certainly pushes the boundaries of absurdities and Chocolate Chip  reflects this madness in every sense. The cinematography, locations and actors really helped to develop Hails own flare to build a very strange short film that boggles the mind and question reality, as well as really crave a chocolate chip cookie!

★★★★ Starring: #SarahJohn, #ChayBrowne, #ChrisKyriacou and #PebbleLillyLeslie Directed by: #MichaelPSpencer Short Film Review by: Alexandra James A Plus , a short film that follows a young couple, Cassie and Ade, who are determined to do what’s best for their 10-year-old daughter. Much like any parent, they want their daughter to get the best education and to thrive in a world where opportunities can be made available to her. However, at what cost? Cassie and Ade take some extreme measures to give their daughter a fighting chance and take matters into their own hands to ensure her success. Director Michael. P. Spencer’s comedy asks the audience, just how far would you go to give your child the best start in life? The story begins at a petrol station, the couple seem quite tense with each other and eager to leave and move forward with their ‘plan’. Ade walks out of the shop with some apple juice and asks Cassie’s opinion on some duct tape. With the shadiness of their actions, we can only assume that they are preparing to commit a dangerous crime and inflict violence on someone which does not suit the couple’s personality. At this stage, the audience are left confused as to what type of people this couple are, especially when listening to their conversation, as they share their thoughts and opinions on education and the best ways in which a child can learn. Things seem a little mismatched here and only makes the story that much more interesting as the plot begins to thicken. The cinematic style for this short film is fantastic, edgy and dark and completely throws the audience off the scent to the direction of the narrative. I enjoyed the juxtaposition of scenes and imagery throughout; it made for a successful comedic relief once the audience find out the couple’s real plan. Delaying that ultimate reveal made it that much funnier when we discover the family’s true intent. Without too many spoilers, this family are very keen to make sure their daughter gets good grades across the board and will stop at nothing to make sure that happens.   A Plus  is a funny short film with a few surprises along the way that draws the viewer in as we attempt to determine the intentions of our main characters and their mysterious and unusual behaviour, only to be hit with a very witty and unexpected ending. This short will lead you down a journey of a mixture of emotions but will have you laughing by the end!

Interview by Chris Olson Tell us a bit about your background, in particular some of the impressive acting credits you have. I had been acting for over a decade when, in 2015, I started to make the shift into writing/directing/producing. My family’s background is in public service and community development and although I was tremendously grateful for the acting roles I was able to play, I wanted a little more agency in what stories I was putting out into the world. I was also curious if I could use film to advocate for some of the ideas I thought were important. The short film The Last Ranger is your current project (which we love). Can you tell us your role in the movie and how it all came about? At the start of the pandemic, a fellow actor-turned-producer, Darwin Shaw, approached me about using the time during lockdown to work with other #filmmakers to tell stories about what was happening around the world at that time. We created an anthology series of 24 stories by 24 filmmakers around the world about systemic issues affecting their communities that were exacerbated by the social and cultural upheaval of the pandemic, called, When the World Stopped . We received over 100 scripts and have been developing stories with these amazing writers and it has turned into an incredible adventure around the world. Why did you want to be involved with this story? David Lee submitted a wonderful script from South Africa about game rangers protecting rhinos from poachers during lockdown. We thought it was essential for the series to have a story representing the point of view of one of the other non-human, sentient beings we share the planet with. We developed the story and were introduced to his sister Cindy Lee who happened to be a highly talented South African director. It all fell naturally into place. Also, how could we pass up the chance to shoot a film in a South African wildlife park with real rhinos, elephants, lions and other magnificent creatures roaming about? Getting to make a narrative, dramatic film with actors this up-close and intimate with these majestic animals was a once in a lifetime opportunity. What were the challenges getting it made? Obviously shooting with kids and animals is always a huge challenge, let alone when those animals weigh 3 tons. The wildlife vets and rangers at the Amakhala Game Reserve where we shot the film, did a superb job of keeping us safe and teaching us how to interact with the marvelous animals. We were also supremely fortunate to have our brave and talented actors, who delivered such astonishing performances in this challenging environment. Our young star, Liyabona Mroqoza, was 11 years old and had never acted before. The performances she and Avumile Qongqo (who plays her ranger mentor) delivered are so full of emotional depth and understanding of the human spirit, I am utterly in awe every time I watch the film. How are audiences responding to the film? We started submitting The Last Ranger  to festivals last year, and pretty quickly we were getting to travel and share the film with audiences around the world. It’s been pretty special seeing the powerful reactions of audiences witnessing a story this up-close and personal with wild rhinos. We were fortunate to get a win at the Oscar-qualifying Pan African Film Festival  and after submitting to the academy, we got shortlisted in December. We find out on the 23rd if we make the final 5 nominees. Feels kinda surreal. What will you do if you win the Oscar? It feels wild even answering this question, but it would actually give us the chance to share the film with more people and to motivate them to take action to protect wild rhinos and to advocate for broader wildlife conservation. What’s next for you? While we are continuing to produce the remaining stories in the When the World Stopped anthology, we have created a non-profit called, Kindred Films, where we collaborate with charities aligned with the theme of each film to allow them to use it to raise funds and awareness from their supporters, and with educators to inspire the next generation to advocate for causes they care about. Where and when can people watch The Last Ranger? It will be playing next month online at the Manhattan Short festival where we you can also donate directly to the game reserve. We are aiming for it to become available as part of the When the World Stopped  anthology on a major steamer.  In the meantime, you can go to kindredfilms.org  to find out more about our mission and to arrange to privately screen The Last Ranger  for a charity or student group you think would benefit from the message. #ChrisOlson #FilmmakerInterview

BAFTA have now officially announced their nominees for their prestigious EE Rising Star award, the only #BAFTA award voted for by the public which honours an emerging actor or actress who has demonstrated exceptional talent and begun to capture the imagination of the British public. Past winners have included the likes of James McAvoy, John Boyega, Letita Wright, Lashana Lynch, Daniel Kaluuya, Jack O’Connell and more. Now as the award enters its 20th year, let’s take a look at the nominees for 2025: Marisa Abela – Marisa Abela has starred in the BBC smash-hit financial thriller Industry as well as having even appeared in Greta Gerwig’s phenomenal Barbie, but has now fully stepped into the spotlight with her portrayal of the late Amy Winehouse in Sam Taylor-Johnson's Back to Black and will soon be starring in Steven Soderbergh’s upcoming spy thriller Black Bag alongside the likes of Cate Blanchett, Michael Fassbender and Regé-Jean Page. Jharrel Jerome – Having made his film debut in the Oscar-winning Moonlight, Jharrel Jerome recently starred in sports biopic Unstoppable, having already gone from strength to strength by starring in Stephen King adaptations such as Mr. Mercedes, lending their voice to both Spider-Man: Across the Spider-Verse and Spider-Man: Beyond the Spider-Verse, and starring in the highly-acclaimed Ava DuVernay Netflix series When They See Us. David Jonsson – Also with a key role in the ensemble behind BBC’s Industry, David Jonsson has impressed further with his performance in British romantic-comedy film Rye Lane, but most recently undertook a co-leading role as android as Andy in Fede Álvarez’s Alien: Romulus. Jonsson will also join the Stephen King universe in the upcoming Francis Lawrence adaption of King’s The Long Walk. Mikey Madison – Mikey Madison is no stranger to big things, having already had roles in Quentin Tarantino’s Once Upon a Time in Hollywood as well as the fifth instalment in the Scream franchise, but is currently scooping up awards and nominations everywhere for her portrayal as Anora "Ani" Mikheeva in the Palme d'Or winning, Sean Baker directed Anora and will soon be starring in the limited series, Lady in the Lake. Nabhaan Rizwan – Starring in such series as Informer, Station Eleven, and the greatly under-appreciated Netflix mythological comedy Kaos, Nabhaan Rizwan and their latest film In Camera have been getting rave reviews since premiering at the Karlovy Vary International Film Festival, and will also be starring in the upcoming drama series Dope Girls. You can vote for BAFTA’s EE Rising Star Award here .

Filmmaker Interview by Chris Olson Hi Hsi, thanks for speaking with us. For those who don't know you, please can you tell us a bit about you as a filmmaker? I am a writer, director, producer specializing in social documentaries, currently based in New York City. Growing up in Taiwan, I was deeply influenced by the diverse cultures that surrounded me, igniting my passion for storytelling. My work often delves into themes of identity, community, and resilience, reflecting my commitment to amplifying underrepresented voices. My documentary “ Find Me ” tells the poignant story of a human trafficking victim returning to my home country to find my birth family and reconnect with my identity. The film has received recognition at various film festivals, including DOC NYC and the Big Apple Film Festival, earning accolades for its emotional depth and cultural insights. In addition to documentaries, I also like to explore human emotion through narrative storytelling. My horror romantic drama, “I Heard a Fly Buzz,” examines the unrequited love between two women in the Victorian era. The original script won first place at the Annual School of Visual Arts writing program contest and was published in Match Factory Magazine in 2023. It has also been selected for the New York International Short Film Festival and the Odyssey Film Festival in 2024. My short film "The Balloons" (10mins) in 2022, a drama about grief and friendship, was selected to screen at the SVA's 2022 student film festival. "What's Wrong With Eliza" (10mins) is a drama short about a sugar baby's encounter with a client who was not who she thought he was. It is currently under post production. My Sci-fi TV pilot, A Ship Leans on The Beach (20 pages) was awarded in VII Youth Film Festival Golden Frame, and LA Under the Stars Film Festival. “Bad Faith” (4 mins), my experimental short, was selected in Progeny Short Film Festival and Lift-Off Filmmaker Sessions. Using my voice as a female director, I am dedicated to telling unique stories that would otherwise remain unheard—whether through fictional historical dramas or the real-life journeys of those navigating complex social issues. Despite coming from a culture where women in directing is a recent phenomenon, I like to embrace my background, infusing it into my body of work. My perspective has been shaped by my multicultural experiences, and I aim to create compelling narratives that resonate deeply with audiences. "Find Me" sounds like a fascinating documentary. Why did you want to make this film? Growing up in Taiwan, I've always struggled with the idea of identity and belonging. Not being able to speak fluent Taiwanese, trapped in between the cultural and historical conflict, unable to be proud of my own heritage. I didn't feel that belong in the place that I was born in, even though I called it "home." However, since I started traveling , living in different parts of the world , the further I am to my "home ," the more I appreciate the influence it had on my life. Home never meant a room with four walls, it's a place where you can come back to, a place where you don't feel alone. Not everyone is born into their identity and where they belong, sometimes you just have to leave in order to find it. That sounds like a really personal film to make. What were the other challenges in making "Find Me"? One of my biggest challenges was the budget, particularly concerning transportation for the crew and our documentary subject. I was unsure how we would be able to send Kuo to Taiwan. I created a promotional video and reached out to news outlets while setting up a GoFundMe for her trip. Our efforts led to features on Spectrum News and Taiwanese news channel The Reporter. This helped us raise funds through crowdfunding, the Taiwanese government, and various NGOs. The financial support allowed us to fly Kuo to Taiwan and provide accommodations for her and her adoptive mother, Mary, for a week. It was an ambitious and challenging first documentary to make, but I was driven by my belief in the story. With meticulous planning, my amazing crew and I brought this vision to life. What stage is the film at currently? Can people see it? Find Me is now in Festival circuit, previously premiered at DOC NYC. Congratulations! Hopefully our readers will get to see it soon. A bit more of a personal question in what has already been a personal interview, but, why do you make movies? I’ve always been drawn to the magic of storytelling. Growing up in Taiwan, my family and I would visit the local Blockbuster every week. We'd rent two or three movies, and those trips became a cherished ritual. It wasn’t just about the films themselves, but about the worlds they opened up for me—the way they sparked my imagination, transported me to different places, and allowed me to experience emotions I’d never felt before. It was during these movie nights that my love for cinema took root. It became clear to me that #filmmaking wasn’t just something I enjoyed; it was something I had to pursue. That passion led me to the U.S. to follow my dream. It’s been a journey of trial and error, with moments of doubt, but every step has deepened my love for what I do. I’ve found something that challenges me, inspires me, and allows me to express my own unique voice. Cinema is where I feel most alive—it's more than a career; it's who I am. What advice would you give to someone just starting out in the film career you have pursued? I’ve always been a practical person, but what I learned from making Find Me is that you shouldn’t be afraid to dream big. Filmmaking often requires balancing ambition with the realities of the process, but if you truly believe in the story you want to tell, go for it. Your greatest resources will be your ability to manage time, your work ethic, and the people around you. The connections you build with talented, like-minded individuals are invaluable, and there are fewer opportunities to be surrounded by that energy once you've completed a project. My advice is simple: take that leap of faith in yourself. While the process will require hard work and perseverance, the support you receive from your team will make all the difference. I’m incredibly grateful for the people who supported me throughout Find Me . Without them, I wouldn’t have been able to bring my vision to life. Filmmaking is about collaboration—your story may be your own, but the process of telling it is always shared. Who would you love to work with and why? I met so many incredibly talented people at DOC NYC last November, and I’d love the opportunity to work with any of them. The experience was both inspiring and humbling, and it reminded me how much I still have to learn from others. Whether it’s collaborating with fellow filmmakers, editors, or producers, I value the opportunity to work alongside people who push boundaries and bring fresh perspectives to the table. The passion and creativity I encountered there made me even more excited to keep growing in my craft, and I’m eager to continue learning from those who are as dedicated to storytelling as I am. What's next for you in your filmmaking career? I’m excited about the possibility of expanding Find Me into a longer project. Looking ahead, I want to continue creating documentaries that have a meaningful impact—whether by telling stories that inspire others or by sparking important conversations around social issues. In a world that’s constantly evolving, I’m passionate about telling stories that reflect who we are as a community. I want to highlight both the extraordinary and the everyday people, showcasing the beauty and complexity of our lives. Ultimately, my goal is to create work that resonates deeply with audiences and helps us better understand the world we share. #ChrisOlson

★★★★ Starring: #JacobRenouf, #EvanEmanuel, #RachelScott, #JamieMarsh, #MattDavis Directed by: #JamieMarsh Short Film Review by: Alexandra James A short film following eccentric detective Ebeneezer Maisonette and his associate Percival Farley. A new case has fallen on their lap and its up to them to recover a stolen ruby and save the day. Unfortunately, they are not your typical detectives and some of their ways can be considered a little unusual to say the least. As the case progresses, things are not all as they seem and with twists and turns thrown into the mix, it made our genius detective question everything. Ebeneezer Maisonette is not your conventional detective, he has no filter and a fascinating style, from the crazy moustache to the magnified glasses, however, despite his unusual presence, he has a passion for solving crime and a keen eye for detail. This is a similar attribute to this short film, the details included from the costumes to the locations. It can be difficult with a small budget to be able find a location suitable, especially when filming a period film. This is set around the early 1900’s, so it can be tough to scout spaces and areas that are able to reflect this timeframe, considering this is a low budget film, it was great to see how they worked around this barrier and made it work, using areas with cobbled streets or cathedrals and old churches to set the scene. Each character is witty, interesting and adds a certain flare to the story. Although the central story is around a crime, the story itself is funny and light-hearted. Director Jamie Marsh has created a good balance between comedic scenes but also clever and humorous dialogue. A way to improve this further would be the editing, there were some scenes that did not have a smooth transition compared to others, however, a majority was good quality and included some great artistic techniques and Marsh was able to add his own stamp and style to this film. An incredibly entertaining short film with great comical characters, it would be great to see other episodes of this and discover new adventures for Ebeneezer Maisonette and his associate to go on, as well to really explore the characters and establish a Marsh’s style of filmmaking.

★★★★ Starring: #InmatesofStanfordHillHMP and #HardwickeCircus Directed by: #BenArcher Short Film Review by: Alexandra James This short documentary follows a small band from the north of England, on a mission to spread music and passion to prisoners across the UK. Director Ben Archer focuses on the bands message that all of us deserve to have access to the arts world. Music can enlighten and allow people the opportunity to express themselves in an artistic way, it can be difficult to share your inner deepest thoughts and fears, but with music there is a platform that allows people to have a voice and turn it into something positive where others can connect as well as take solace in the fact that they are not alone. Lead singer of Hardwicke Circus, Jonny Foster, creates a music workshop at Stanford Hill HMP, a men’s prison on the Isle of Sheppey. Ben Archer captures the band interacting with the inmates and the uplifting jam session that inspire and encourage many. This was a very moving film that highlights the importance of giving back to the community, and the necessity of art. People may debate as to whether prisoners should be deserving of live bands performing for them or being able to play and share their talents to others. However, there are so many benefits to this and with this documentary, it shows how powerful music can be and allows the inmates to express themselves, channel their emotions and look to the future. The documentary shows singer Jonny Foster share his thoughts over the whole concept, he states that inmates have discussed with him how to get into the music industry and about life on the road. It shows that there is something else to focus on and strive towards. Hardwicke Circus: The Prison Gig  showed great moments of the band playing and bringing on inmates on stage to showcase their talent. Many of the inmates were able to just forget where they were for a moment and just be a part of something bigger and enjoy a break from the mundane routine. Ben Archer uses the ‘gonzo’ style of filmmaking which is in some of his other pieces of work. It’s a type of fly-on-the-wall documentary. It makes for a very raw film and shows the audience the connection and positivity between the band and inmates. Ben Archer has been able to feature the good work Hardwicke Circus have been able to achieve by spreading their love of music to others who may not have envisioned this as an option outside of prison.

★★★ Starring: #WillowBarrett, #SydWalsh and #ChuckBones Directed by: #BenArcher and #SalRedpath Short   Film Review by: Alexandra James Directed by Ben Archer and Sal Redpath, Through the Stew,  follows Anton a young punk whose attitude is subdued, and who clearly has no strong desires in life. Anton moves aimlessly through the streets of New York city knowing that this is his last day alive in the chaos. With just a packet of cigarettes and an old radio, Anton attempts to settle some of his affairs before he departs forever. This film uses super 8 footage and is black and white throughout, this can be seen as an extremely difficult and challenging way to capture a story. However, it also created a gritty edge to this film and provided the audience with a new perspective on the city of New York as well as the character Anton himself. Through the Stew  shows Anton as extremely detached from the world, completely ignoring his surroundings and the electricity emanating from the city. He was very much aloof and the only way in which the audience could connect or get a sense of his emotions was through this 50’s style radio that he carried around with him that seemed to be sending out messages occasionally. Through the Stew  is a dark and mysterious film and draws a lot of inspiration from No wave cinema and guerilla filmmaking.  However, Archer and Redpath have shaped this type of cinematography into their own by weaving the theme of punk rock through the characters and their fashion choices. There appears to be an ageless feel as well, it’s one that cannot be placed in a specific timeframe, with the combination of super 8 footage, a 50s radio with noir recordings as well as elements of punk rock style, this makes it captivating as the piece is layered with a mix of a variety of eras and is perfectly unique in its own right. Ben Archer and Sal Redpath’s , Through the Stew, is an intense and edgy film that draws in aspects that connect with the punk rock era. The punk rock ethos being freedom, non-conforming and anti-establishment. A lot of the aesthetics are reflected in this film, with its underground and minimalist style and the promotion of individual freedom. An incredibly intriguing film with an original spin on No wave cinema and the backdrop of a hectic New York city as a distant, lonely man leaves it all behind.

Interview by Chris Olson Hi Zehua, thanks for speaking with UK Film Review. For those who don't know you, please tell us a bit about yourself. My name is Zehua Yang, and I’m a cinematographer currently based in Los Angeles. Originally from China, I’ve had the opportunity to work across both the U.S. and China, which has greatly influenced my approach to filmmaking. My journey into #cinematography was driven by a deep passion for storytelling through visuals—whether that’s capturing the raw emotion in a #documentary, the energy of a commercial, or the creative vision of a music video. I’ve been fortunate to showcase my work at prestigious film festivals like NFFTY, Palm Springs, Beijing International Short Film Festival etc. Each project I take on, I strive to build a connection with the audience through the lens, telling stories that resonate on a personal level. That's brilliant thanks. And your new film, Kiki & The Ghost, how would you describe this film to a new audience? Three days before Halloween, a new boy moves in next door to six-year-old Kiki and her family. Convinced that this boy is a real ghost, Kiki sneaks out to the tree between the two homes and discovers that this in fact is not a ghost but, Joe, a boy her same age. After sparking a swift bond, Joe reveals that he wears the ghost costume to hide bruises inflicted by his mother at home. Unsure of the severity of her new friend's situation, Kiki does what any kid would and invites Joe for a secret meeting in her pillow fort. From there, the two talk about family and form a friendship that will hopefully protect them from the outside world forever. It sounds really interesting. Why did you want to be involved and make this film? When I first read the script for Kiki & the Ghost, I was drawn to the emotional depth and the way the story unfolded through the characters’ actions rather than dialogue. It immediately felt like a great opportunity to tell the story visually, especially given the emotional weight of Kiki and Joe's relationship. The film's subtlety and quiet moments gave me a chance to explore the atmosphere in a way that made the environment itself almost like a character—something that could reflect both the innocence of childhood and the underlying struggles they face. The challenge for me was capturing the emotions, the unsaid parts of the story, through composition, lighting, and framing. Sounds great! Were there any challenges making the film? If so, what were they and how did you overcome them? Yes, we faced several challenges during the production of Kiki & the Ghost. A big one was the time limitation due to working with child actors. Our shoot days were capped at 8 hours instead of the usual 12, which required intense pre-planning. We had to know every shot we needed, as well as where to position lights and actors, to avoid wasting time on set. Another major obstacle was losing a critical supermarket location just three days before the shoot. Thankfully, our producer secured a library as a replacement. This last-minute change meant I had to completely adjust my visual approach and redo a significant portion of the prep. However, my background in documentary #filmmaking proved invaluable. It allowed me to think quickly, adapt on the spot, and ensure no shot was wasted, even under pressure. These experiences shaped the film and taught us the importance of flexibility and preparation. What stage is the film currently in? And how can people get to see it? It's in the Festival circuit. It actually won an Audience Award at NYFFTY! Wow, congratulations! What an achievement for your filmmaking. Why do you make movies? I make movies because storytelling through imagery feels like the most universal way to connect with people. Growing up, I didn’t have a specific “film dream,” but I was fascinated by how movies captured emotions I couldn’t always express. Films like Yi Yi and Tokyo Story showed me the beauty in everyday life, how a simple gesture or a quiet moment could resonate so deeply. What drew me to cinematography was discovering the power of visual language. I’m inspired by how light, composition, and movement can evoke emotions that transcend dialogue. For example, I remember watching The Tree of Life and being captivated by how its imagery spoke volumes—telling a story without needing words. It made me realize that cinema is not just about entertainment; it’s a medium that lets us explore human nature, memory, and connection. When I’m behind the camera, I feel like I’m piecing together a puzzle, shaping a narrative frame by frame. Every project I work on is a chance to explore a new perspective or dive into an emotional truth. For me, making movies isn’t just about creating something beautiful—it’s about giving audiences moments that linger with them long after the credits roll. Amazing. What advice would you give to someone just starting out in the film career you have pursued? If you're starting out in cinematography or filmmaking, my advice would be to stay curious and adaptable. Take every opportunity, no matter how small, because each project will teach you something new. Learn to collaborate and listen—filmmaking is a team effort, and building strong relationships is just as important as technical skills. Don’t be afraid to experiment. It’s through trial and error that you find your voice. And most importantly, stay patient. A film career is a marathon, not a sprint. Wise words indeed. What's next for your career after this film? After this film, I’m looking forward to exploring genres and styles that are entirely new to me. I’m particularly interested in venturing into genres like psychological thrillers, action, or experimental narratives that challenge conventional storytelling. Right now, I’m also diving deeper into music videos and experimental projects, which allow me to play with abstract visuals and unconventional techniques. This creative freedom is pushing me to see filmmaking in fresh, exciting ways, and I hope to carry that energy into future narrative projects. #ChrisOlson #FilmmakerInterview

★★★★ Starring: #JayJayJegathesan and #MiraeJang Directed by: #PeterRenzullo Short Film Review by: Alexandra James Isabella is a short film directed by Peter Renzullo, the story is disturbing, intense and dark and stars Jay Jay Jegathesan who was made for this role and had previously been in another one of Renzullo’s films The Jewel Wasp . Watching his performance, he seemed like the perfect choice to make for this sinister film and certainly intensified the scene with his story of an emerald wasp and a helpless cockroach. Isabella is unfortunately seated opposite Khan and must endure this uncomfortable tale, but what exactly is the relationship between the two? The scene opens to Khan sitting in a dark suit across from Isabella. At this stage we do not know what Isabella looks like, the audience can merely hear her voice responding to Khan as he begins to tell her a story. There is an ominous air to Khan, the room appears cold and his presence even colder. With just a table in between him and Isabella and his words, the film is very powerful. Instantly, I became hooked on his every word and although disturbed by the story as he describes the calculating and detailed torture that an emerald wasp performs on a cockroach, it was hard to look away. His voice is low and dark and as he tells the story, you begin to feel slightly concerned for poor Isabella and worry for her safety! It’s not until the final scene that we discover why Isabella is there, her calm response to Khan really throws the audience off the scent and it becomes shocking when we finally get a glimpse of her. The sounds of cockroaches and insects can occasionally be heard as Khan is speaking which makes your skin crawl and your fear heighten. Its interesting to see the different ways in which directors can tell a story. There have been some short films where there is no dialogue throughout, and the storyline is followed by facial cues and imagery. Or there are films such as this, where we are not shown much, and the sound of someone’s voice carries the film and drives the storyline. I am a fan of all types of storytelling, if it can really convey that message and entices the viewer from the offset. Isabella has certainly achieved this; Khan’s dark and mysterious tale of horrors was one that I cannot shake. The performance of Jay Jay Jegathesan was a perfect cast for this role and took the film to a very sinister place. The slow pans and long takes, added to the eeriness of the film and made for an uncomfortable watch, forced to listen and endure much like Isabella. Dark and sinister but a great performance and very well written, keeping the audience hanging onto every word.