Search Results
8690 items found for ""
Other Pages (2781)
- Film Reviews and Movie Trailers | UK Film Review
FILM REVIEWS UK UK Film Review is a film reviews website based in London, UK. We promote films and movie trailers from around the world and support indie films that would usually find it hard to find the spotlight against the bigger films of cinema. From the latest blockbusters, to small indie cinema, we tackle as many films as we can. Reviewing them from all aspects, not just how many digital landscapes they blow up using CGI. We also review short films in the UK and internationally, helping filmmakers to promote their movies and raise their profile. If you would like to have a short or indie film reviewed by us, please submit all info using the button below. Take a look around, enjoy the spoils of filmmaking, film festivals and artistic expression. Our merry band of film critics are constantly hard at work, writing film reviews, or watching movie trailers for some of the most exciting movies coming out in UK cinemas. So to keep their morale up, please be nice...or at least funny if you choose to troll. Because, in the immortal words of Rick Moranis in the movie Spaceballs, "Keep firing A**holes!". By the way, on this film reviews website, you may see several references to Spaceballs. If you have not seen that classic Mel Brooks film, you MUST seek it out and tell us what you think. SUBMIT YOUR FILM Are You a Film Podcast Fan? Film critics Chris Olson and Brian Penn host a monthly podcast for all types of film fans! Whether you like the latest blockbuster releases, or streaming is your thing - we have you covered. We even review short and independent films on the podcast. Our final review is usually for a "Nostalgia" pick - something from the past worth revisiting. Previous picks for this have included Jaws, The Fly, and Good Will Hunting. Search UK Film Review Podcast wherever you like to listen and join our global community of film lovers. Film Reviews from UK film critics LATEST REVIEWS Mouse! Moeder Happy Pals To Hell With You Petro The American Question Rita Buscando Alma The Miner's Son Gladiator II Kruste Wicked Load More
- Latest Film Reviews | UK Film Review
Latest Film Reviews The latest movie reviews from UK film critics, this is the page to find the newest reviews from our team. The UK Film Review critics are assembled from around the globe, covering all types of movies. Whether these are movie reviews for films currently in UK cinemas (or even globally) or for films on streaming sites such as Netflix, Prime Video or Disney Plus, we cover them all. On this page you will also find the latest film reviews for indie and short films from the UK and around the world. Every month, UK Film Review receives a large selection of submissions from filmmakers requesting us to watch their independently made film and review it. We treat all movies the same and our reviews are never (ever) paid for! We do receive payment from PR companies and other filmmakers for services such as promoting their film, or skipping to queue, but this has nothing to do with the movie review itself. Whilst you will see our latest movie reviews here you should also follow UK Film Review on our social media profiles, as well as subscribe to our popular film podcast. This will help you stay up-to-date with the latest releases, as well as the goings-on from our community of film lovers and critics. average rating is 4 out of 5 Mouse! Read Review average rating is 4 out of 5 Moeder Read Review average rating is 4 out of 5 Happy Pals Read Review average rating is 3 out of 5 To Hell With You Read Review average rating is 4 out of 5 Petro Read Review average rating is 3 out of 5 The American Question Read Review average rating is 4 out of 5 Rita Read Review average rating is 4 out of 5 Buscando Alma Read Review average rating is 3 out of 5 The Miner's Son Read Review average rating is 4 out of 5 Gladiator II Read Review average rating is 5 out of 5 Kruste Read Review average rating is 4 out of 5 Wicked Read Review average rating is 3 out of 5 Flirting with Darkness Read Review average rating is 4 out of 5 A Place to Fall Down Read Review average rating is 5 out of 5 My Week with Maisy Read Review average rating is 3 out of 5 Street Trash Read Review average rating is 4 out of 5 From Above Read Review average rating is 5 out of 5 Meal Ticket Read Review average rating is 5 out of 5 Neither Donkey Nor Horse Read Review average rating is 4 out of 5 Picture Day Read Review average rating is 3 out of 5 Seven Jewish Children Read Review average rating is 3 out of 5 Tomorrow Read Review average rating is 4 out of 5 Pylon Read Review average rating is 2 out of 5 Red One Read Review average rating is 4 out of 5 A Real Pain Read Review average rating is 4 out of 5 Unspoken by LT! Read Review average rating is 4 out of 5 Pocket Princess Read Review average rating is 4 out of 5 Orango Read Review average rating is 4 out of 5 A Beautiful Day Read Review average rating is 3 out of 5 Sileo Read Review average rating is 3 out of 5 Death Read Review average rating is 5 out of 5 Into the Unknown Read Review average rating is 2 out of 5 That's the Spirit Read Review average rating is 3 out of 5 Art Read Review average rating is 4 out of 5 My Name Is Alfred Hitchcock Read Review average rating is 4 out of 5 Memoir of a Snail Read Review average rating is 4 out of 5 Belief Read Review average rating is 3 out of 5 Breakdown Read Review average rating is 3 out of 5 Miss or Misses Read Review average rating is 3 out of 5 Another World Read Review average rating is 2 out of 5 Through the Stew Read Review average rating is 2 out of 5 Here Read Review average rating is 3 out of 5 Signs of Allegiance Read Review average rating is 4 out of 5 Absolution Read Review average rating is 5 out of 5 Anora Read Review average rating is 4 out of 5 Emilia Pérez Read Review average rating is 4 out of 5 Chasing Chasing Amy Read Review average rating is 3 out of 5 Continuance Read Review average rating is 4 out of 5 In the Garden of Tulips Read Review average rating is 3 out of 5 Savanna by AMAFFI Read Review average rating is 5 out of 5 Black Boy's Don't Cry Read Review average rating is 5 out of 5 Sunflower Read Review average rating is 4 out of 5 Clearance Read Review average rating is 4 out of 5 OK/NOTOK Read Review average rating is 4 out of 5 Saving Mango - A Cat's Story Read Review average rating is 4 out of 5 Better the Neville You Know Read Review average rating is 4 out of 5 Your Monster Read Review average rating is 4 out of 5 Little t Read Review average rating is 5 out of 5 A-Train: New Beginnings Read Review average rating is 4 out of 5 The Long Quiet Read Review average rating is 2 out of 5 Scum Read Review average rating is 4 out of 5 Jack & Lou: A Gangster Love Story Read Review average rating is 3 out of 5 Canteen 2 Read Review average rating is 4 out of 5 Betrayed Read Review average rating is 4 out of 5 Shifting Tides Read Review average rating is 4 out of 5 The Art Thief Read Review average rating is 2 out of 5 Primal Fear Read Review average rating is 2 out of 5 UME Read Review average rating is 4 out of 5 Fear and Love: The Story of The Exorcist Read Review average rating is 3 out of 5 The Last Anomaly Read Review average rating is 4 out of 5 Disposal Read Review average rating is 4 out of 5 Saturday Night Read Review average rating is 3 out of 5 Making Up Read Review average rating is 3 out of 5 Daddy's Head Read Review average rating is 4 out of 5 Falling Stars Read Review average rating is 4 out of 5 Shelf Read Review average rating is 4 out of 5 Flesh and Blood Read Review average rating is 3 out of 5 Terrifier 3 Read Review average rating is 4 out of 5 Homeless Tobez Read Review average rating is 2 out of 5 Ladybug Read Review average rating is 2 out of 5 Divine Trials Read Review average rating is 4 out of 5 An Artist's Curse Read Review average rating is 4 out of 5 The Death of The House Party Read Review average rating is 3 out of 5 English Rose Read Review average rating is 4 out of 5 Things Will Be Different Read Review average rating is 3 out of 5 Morris Men Read Review average rating is 2 out of 5 Blink Read Review average rating is 2 out of 5 Hey Tu! Read Review average rating is 3 out of 5 The Stars Align Read Review average rating is 5 out of 5 Because We Are Too Many Read Review average rating is 4 out of 5 Distant Memories Read Review average rating is 4 out of 5 Schism Read Review average rating is 4 out of 5 The Wild Robot Read Review average rating is 4 out of 5 My Old Ass Read Review average rating is 3 out of 5 Azrael Read Review average rating is 3 out of 5 Predators Don't Like Attention Read Review average rating is 4 out of 5 Will & Harper Read Review average rating is 3 out of 5 Wolfs Read Review average rating is 4 out of 5 Iris Read Review average rating is 4 out of 5 Sleep Read Review
- Music Video Reviews | UK Film Review
Music Video Reviews One of the most exciting sub-genres our critics review is music videos. They are often incredible pieces of storytelling, either in their own right or aligned with the song playing over them. On this page you will find a great selection of music video reviews from the team of critics at UK Film Review. If you are a filmmaker or artist who would like us to review your music video, submit your film here . When it comes to reviewing a music video, the process differs slightly from perhaps a narrative short film or documentary. The music has to be explored far more intimately than if it were a soundtrack because that's where the story originates from rather than being added further down the line. Music videos do conform to genres but these are often musical genres rather than film categories, for example pop, folk, rock, rap etc. So this will also influence the music video review our critics write because the target audience is going to be considered. Music videos may take a variety of forms or even combine different aspects to create a different effect on the viewer. For example, it is common for a music video to contain a small narrative, as well as live performance footage. Top filmmakers making music videos will be able to immerse you into the song and story without leaving you feeling like you have just watched a promo piece. Choreography is also a common trait in music videos, with dance sequences and flash mobs recurring - often in pop music videos. Editors of music videos will have their work cut out to ensure the choreography looks tight and engaging without it feeling staged or lifeless. Hopefully the array of music video reviews you see below will include some gems for you to peruse. Don't forget to scroll to the bottom of the article, as we often include the actual music video so you can watch it for yourself. Unspoken by LT! Jason Knight A-Train: New Beginnings Jason Knight The Dragonborn Comes-Main Theme Jason Knight The Panharmonion Chronicles: Times of London Patrick Foley Lost All Care Joe Beck Everything Will Dissolve in the Void James Learoyd Rooftop Screamers Joe Beck Hot Chip Eleanor Swati Verma A New Kind of Life Jason Knight alexjames96 Jun 6 2 min read Ain’t my Vibe Short Music Video Review alexjames96 Mar 17 2 min read Cinerama (Music Video) Short Film Review alexjames96 Dec 19, 2023 2 min read Homecoming (Music Video) Short Film Review alexjames96 Nov 16, 2023 2 min read Sheep F-cked In the Head Short Film Review Theo Aug 1, 2022 2 min read Service for The King short film review Chris Olson Sep 28, 2021 2 min read Stroke Code Music Video Review More Film Reviews
Blog Posts (5072)
- Isabella Short Film Review
★★★★ Starring: #JayJayJegathesan and #MiraeJang Directed by: #PeterRenzullo Short Film Review by: Alexandra James Isabella is a short film directed by Peter Renzullo, the story is disturbing, intense and dark and stars Jay Jay Jegathesan who was made for this role and had previously been in another one of Renzullo’s films The Jewel Wasp . Watching his performance, he seemed like the perfect choice to make for this sinister film and certainly intensified the scene with his story of an emerald wasp and a helpless cockroach. Isabella is unfortunately seated opposite Khan and must endure this uncomfortable tale, but what exactly is the relationship between the two? The scene opens to Khan sitting in a dark suit across from Isabella. At this stage we do not know what Isabella looks like, the audience can merely hear her voice responding to Khan as he begins to tell her a story. There is an ominous air to Khan, the room appears cold and his presence even colder. With just a table in between him and Isabella and his words, the film is very powerful. Instantly, I became hooked on his every word and although disturbed by the story as he describes the calculating and detailed torture that an emerald wasp performs on a cockroach, it was hard to look away. His voice is low and dark and as he tells the story, you begin to feel slightly concerned for poor Isabella and worry for her safety! It’s not until the final scene that we discover why Isabella is there, her calm response to Khan really throws the audience off the scent and it becomes shocking when we finally get a glimpse of her. The sounds of cockroaches and insects can occasionally be heard as Khan is speaking which makes your skin crawl and your fear heighten. Its interesting to see the different ways in which directors can tell a story. There have been some short films where there is no dialogue throughout, and the storyline is followed by facial cues and imagery. Or there are films such as this, where we are not shown much, and the sound of someone’s voice carries the film and drives the storyline. I am a fan of all types of storytelling, if it can really convey that message and entices the viewer from the offset. Isabella has certainly achieved this; Khan’s dark and mysterious tale of horrors was one that I cannot shake. The performance of Jay Jay Jegathesan was a perfect cast for this role and took the film to a very sinister place. The slow pans and long takes, added to the eeriness of the film and made for an uncomfortable watch, forced to listen and endure much like Isabella. Dark and sinister but a great performance and very well written, keeping the audience hanging onto every word.
- Finger Food Short Film Review
★★★★★ Starring: #AliKhan, #MaggieOllerenshaw, #AngusBarnett, #DebbieChazen and #JessicaBalmer Directed by: #JacobDudman Short Film Review by: Alexandra James Finger Food , a short film that is both funny, clever and extraterrestrial! Directed by Jacob Dudman this film shows the awkward encounters of meeting your girlfriends’ parents for the first time. However, it becomes even more of an awkward situation when you learn that her parents are aliens! This short was very comical and light-hearted, and a great film for both sci-fi fans and comedies. After dating for a while, it was time for Jason to meet Lucy’s family. Unfortunately for Jason, he arrives just a bit too early and must enter the family home alone as Lucy makes her way back from work after a delayed train. If you couldn’t think of anything worse, the family also have some odd habits and are finding it hard to hide their true selves! Boyfriend Jason played by Ali Khan who also starred in A Haunting in Venice , was pulling out all the stops to impress his in laws, greeting them with flowers and a seemingly big smile. Unfortunately, none of these acts of kindness are doing anything to sway dad Steve. However, they seem to win round mum and nana…maybe even a little too much for nana. The acting within this short was seamless from start to finish, especially from Angus Barnett. Although he had limited dialogue, his presence on screen was powerful and made me feel nervous! The same goes for Ali Khan, you can feel a lot of emotion from an actor by just facial expressions and judging from his fear-stricken face and wide eyes, this was not a family he wished to be a part of anytime soon. I really enjoyed watching the discomfort play out and found that you can relate to some of the scenes, particularly with Jason who wanted nothing more than to get out quick. The storyline had a clever twist, an ordinary family with a dark secret. Will they accept Jason, or will he be the next on their ingredients list. The location and ambience of the home included a lot of details that were simple and effective. The colours used for the lighting as well as the costume designs, made this into a high-quality film, it was entertaining to watch, and you become quickly invested in the storyline. I really loved all the characters, and the acting style cannot be faulted for this short. Although crazy in some respect, the story worked well, and I wanted to know how far this was going to escalate for poor Jason!
- Warrior: Predator Short Film Review
★★★★ Starring: #LexsyMckowen, #MariahMaison and #CourtneyLeigh Directed by: #ChrisRNotarile Short Film Review by: Alexandra James Warrior: Predator , a short film written and directed by Chris. R. Notarile. This sci-fi takes a unique spin on the stereotypical characters, by attempting to breakdown the formulaic monsters and creatures in many science fiction films we see today. Many of these films will include a male protagonist and a male creature, even occasionally a female lead but still a male opponent. However, Notarile has an all-female cast, giving a distinctive twist on the classic predator films. This short focuses on a 16th century native American warrior coming face to face with two predator sisters and is forced to fight for her life in an epic battle, but there can only be one victor. The first aspect to recognise in this short is the costumes. Although some audience members may be dissecting every detail, for a small budget film, the costumes and makeup on all the characters were great! Its fantastic to see what can be achieved on a small budget production. For me, the designs and detail with each costume was creative and shows that you don’t need loads of money to make an impact, just creativity and an eye for detail. It was also great to find out that the director had made one of the costumes as well! This shows a lot of dedication and passion towards the project and highlights the fact that if you want something bad enough you will find a way to make it happen. With some inspiration of other cosplayers costumes, it was evident that a lot of thought went into this production. Another element to note is the fact there is no dialogue throughout this piece. Occasionally, this can hinder a film particularly if the storyline is not coherent without any dialogue and it’s needed as an aid to help the audience grasp each scene. However, this was a clear and driven short film, there was a strong storyline which was simple and effective. Great to see a new twist on the predator characters and see strong female lead roles, this is something that is certainly lacking in the film industry, so it was interesting to see the dynamic of both heroine and villain as female, it’s a new and exciting perspective on the predator films. The location was even well scoped out, the incorporation of the cave was able to set this film in the right time frame and isolated the characters away from civilisation, making for intense fight scenes and building the warrior into an independent and fierce character. Warrior: Predator is a great short film that with just a small budget, was innovative and provided the audience with a fresh perspective on the predator films. It would be interesting to see what can be done with a bigger budget especially as this film was creative and showed a lot of promise, therefore it can go beyond that creative milestone with a bigger budget. This was an enjoyable film that can be explored further and delve deeper into each of the characters and their background which would be great to see.
Forum Posts (804)
- “YOUR MOVE” - REVIEW: Over the Edge, Into the DarknessIn Film Reviews·January 27, 2018There is an apocryphal saying - variously attributed to Tolstoy, Dostoevsky, Mark Twain and a host of others - that there are only two stories we tell each other in our literature, our movies, our narrative arts. In the first, a person goes on a journey; in the second, a stranger comes to town. What matters is not which of these stories an artist chooses, but how it’s told, and how it illuminates another corner of the human soul, be it dark or light. With “Your Move” actor/director/writer Luke Goss effectively combines the two in the person of his protagonist, who must go on a journey to save what he loves most in the world, becoming a stranger in the dark underworld of a Mexican town where clues and danger are virtually indistinguishable. Goss - up to now known as an actor’s actor and platinum-selling musician - proves highly adept at this newest iteration of his abilities, guiding what in other hands might be a standard genre story forward with skill and subtlety. By keeping the focus on the inner workings of his characters Goss creates as much nerve-wracking tension with a quiet tableau between two people as he does with an all-out chase scene. Goss plays New York businessman David Miller, a man with a good life and a family he adores. While on a video call with his wife Isabel (Patricia De Leon) and young daughter Savannah (Laura Martin), who are in Mexico visiting Isabel’s parents, David - back home in New York - witnesses a brutal attack on them that ends in an apparent kidnapping. Stuck thousands of miles away and not knowing where to turn, David calls the local NYPD, whose skeptical response only makes him realize how dire his family’s situation actually is. As an actor Goss is deeply likable, exceptionally effective at translating what his characters are feeling, and the terror David experiences at not knowing what has happened to his loved ones is brutal and palpable. In Mexico he meets the cop in charge of the case, Detective Romero (the superb Robert Davi, in a richly nuanced performance). David wants answers, action, anything to make him feel that progress is being made. Romero, a good detective, understands the need to build his case on facts, and while Romero feels for David’s plight, the man is also his worst nightmare - an uncontrolled wild card who could blow the case at a moment’s notice by being in the wrong place at the wrong time. Romero’s careful, low-key approach to the investigation seems like dangerous and deadly plodding from David’s point of view, sure to get his wife and daughter killed. On the other side of the coin is Isabel’s father, Señor Barrabas, a wealthy patrón of weight and gravity. Luis Gatica plays Barrabas with a quiet intensity that is at once civilized and menacing. Though he treats David and the detective as equals, he appears to engender fear and respect everywhere else. Accompanied at all times by a suited, hulking - and likely armed - bodyguard, who Goss subtley keeps just at the edge of the frame, Barrabas’ business dealings can only be guessed at. When it appears that he agrees with Romero’s method of handling the case, David panicks and takes matters into his own hands. Though fit and athletic, David has no “special set of skills” with which to make the bad guy’s life hell a’la the uber-hero in “Taken”, relying instead on instinct and sheer persistence, driven by the certain terror that if he doesn’t use every means at his disposal to track his family down, he will never see them again. Agonizing every step of the way over what he must become to get the job done, he isolates himself from both family and the authorities and relies instead on his gut. Goss’s abilities as a visual stylist and storyteller are well-matched to his subject matter and the camerawork is assured, but he doesn’t sacrifice character development for the sake of style. Goss - who also wrote the script - keeps the dialogue spare and measured, making wonderful use of the players’ inner lives to push the narrative and generate emotion. The acting is uniformly superb and the casting and directing are spot-on, with a touching and almost Fellini-esque sensibility, making scenes with even the most secondary characters satisfying and rewarding. The landscape of the human face as a map of the psyche clearly fascinates Goss at the deepest levels, and his painterly use of color, light and shadow add to the suspense and the unfolding story, while allowing the audience their own visual and emotional journey. And though the church is never explicitly mentioned there is a strain of lush religious iconography running through the film, implying religion as a particularly horrifying form of self-justification for the antagonist, played by Alain Mora in a performance that is a revelatory and disturbing portrayal of a man with a terrifying split in his psyche. The film may be billed as a psychological thriller, but the execution and performances defy simple genre categorization. It would appear that “Your Move” marks the auspicious start of yet another successful branch of Goss’s multi-hyphenate career. “Your Move” has its UK premiere on January 27, 2017. Watch the trailer, here: Writer: Kely Lyons - Los Angeles - January 27, 2018361949
- "Crazy Right" movie trailerIn Movie Trailers·March 5, 201824182
- Beauty and the Beast (2017) ReviewIn Film Reviews·November 1, 2017Disney is back with another live-action adaptation of one of their animated films. This time it was up to Beauty and the Beast to be remade and please the audience. But if we look at the final product that the film is, it seems to be that Disney did it more for the money than for the audience. Will the audience end up roaring for the new film or will it just be Disney happily roaring their victory over their audience? I think we all know the answer to that question. Beauty and the Beast is directed by Bill Condon and tells the tale of Belle. Belle (Emma Watson) is a young adult, who loves to read books and dreaming of playing a part in the adventures that are depicted on those pages. But when she leaves her small village to find her missing father (Kevin Kline), she encounters a large castle in which lives a horrifying Beast (Dan Stevens). As Belle stays with the Beast, she learns that true beauty is found within. Right from the beginning, the film wants to make very clear what kind of a jerk the Beast was before he came a Beast. Just like in the original animated film, where they spend a short monologue on the case. However, in this live-action adaptation they take more then a few minutes to make it clear that the Beast is a jerk. The problem is not that it is not well done, because making the Beast look arrogant is something the movie does is quite well, but the problem is that right from the beginning one of our main characters is an unlikeable prick, which creates a situation wherein you cannot root for the Beast to become normal again. You want him to stay a Beast, because that’s what he honestly deserves to be. He acts like a Beast for the first two acts of the movie. Then the filmmakers remembered that the Beast also must become a human at the end, so they quickly shoved moments in the movie trying to make the Beast look less like a prick and more like an misunderstood young adult. In the original animated film, the Beast had a compelling arc. In this film he does have an arc, but it’s not compelling because the Beast is arrogant throughout most of the film and acts like a prick to everyone around him. The arc is also rushed to the point that it makes you care even less for the Beast. Do you want examples of how much of a prick the Beast is? Well, the Beast doesn’t even give Belle a minute to say goodbye to her father, the Beast keeps correcting and interrupting Belle, the Beast wouldn’t give Belle a room, the Beast forces Belle to eat with him and lets her starve when she says she won’t eat with him etc. The thing with this movie is that they like to exaggerate everything the original did, to the point that this movie feels more like a dark cartoon then the original did.The scriptwriters Stephen Chbosky and Evan Spiliotopoulos also try to add new story elements to the script. There is a new back-story how both Belle and the Beast lost their mothers and it adds nothing new to the story. The scriptwriters probably did this trying to make the Beast, after first writing him as such an unlikable character, look more sympathetic and to give Belle an arc. Only thing is that the new back-story doesn’t make Beast look more sympathetic, he still comes across, as a bitter young adult and Belle never gets a conclusion to her arc. Her mother died when she was just a baby. Belle never knew her mother and this has had a great impact on her. However when she finally finds out, what happened to her mother, the subplot is quickly moved aside to continue the main story. Her arc is never resolved or even started to be honest. It just a waste of time. The script also tries to give Belle more personality. They did this by making her amazing in everything. She is good in reading, good with children, good in teaching, good in inventing, good in drawing, good in taming wild beasts (get it?). However, as expected, being good in everything doesn’t count as a trademark for a character. She isn’t Leonardo Da Vinci. Belle is a dreamer, who gets inspired by the books she reads. Belle is intellectual. Indeed. But in this movie they exaggerated her intelligence to the point that this Belle feels more like a cartoon character then her animated counterpart. There are also some continuity errors. Belle on Phillipe, the horse, move like the Flash when needed. Belle just arrives shortly after the villagers arrive at the castle, while the villagers had a big head start. The sound effects are also sometimes off in the final battle. Oh right, forgot. To please the immature and the children, the movie also includes butt and poop jokes. Yeah! There is also a mystery subplot for the character Agathe, which turns out to be the witch that cursed the Beast. This is so poorly done and unnecessary. She just comes and goes when the story needs her to come an go. And her importance to the story is never explained. Which leaves another unsolved subplot.The CGI in this film is, in contrary to the beautiful The Jungle Book, more creepy than fantasy provoking. Nobody wants to see a CGI teapot smiling. They created some nice nightmare related visuals for the younger kids. Can’t wait to see this on a childhood trauma list.Not everything is bad though. The acting is on point. Especially Gaston is likeable, which feels weird because he’s supposed to be villain of the film. Well don’t worry, because for this first half of the film Gaston comes across as a normal, somewhat dimwitted, individual, but in the second half, he leaves Maurice for the wolves stuck at a tree. Something the animated Gaston would probably also be able to do. The Gaston song is also very amusing. Their is actually an illiterate joke in their that works. The song also contains one exciting, maybe little expectable, but still amusing shot. In the end, Beauty and the Beast, is another Disney remake that is poorly executed and is solely done for the money. This movie in particular felt more like a cash grab than the other Disney movies. That is probably because the effect of the original is still untouched by other Disney movies. It is the only animated movie to be nominated for best picture. It is one of the most well known Disney movies. These were the reasons for which Disney thought that their live-action version could earn some big money. Sadly, it did. Overall, it’s not a complete failure. There are some genuine emotional moments. Some new interesting ideas, that all don’t workout however. And sometimes a joke works. But in the end, the movie is still pretty bad, mostly thanks to the poor script.15160