Search Results

Film reviews and movie trailers for new movies, indie cinema and short films.Read a film review or watch a trailer on our website. FILM REVIEWS UK UK Film Review is a film reviews website based in London, UK. We promote films and movie trailers from around the world and support indie films that would usually find it hard to find the spotlight against the bigger films of cinema. From the latest blockbusters, to small indie cinema, we tackle as many films as we can. Reviewing them from all aspects, not just how many digital landscapes they blow up using CGI. We also review short films in the UK and internationally, helping filmmakers to promote their movies and raise their profile. If you would like to have a short or indie film reviewed by us, please submit all info using the button below. Take a look around, enjoy the spoils of filmmaking, film festivals and artistic expression. Our merry band of film critics are constantly hard at work, writing film reviews, or watching movie trailers for some of the most exciting movies coming out in UK cinemas. So to keep their morale up, please be nice...or at least funny if you choose to troll. Because, in the immortal words of Rick Moranis in the movie Spaceballs, "Keep firing A**holes!". By the way, on this film reviews website, you may see several references to Spaceballs. If you have not seen that classic Mel Brooks film, you MUST seek it out and tell us what you think. SUBMIT YOUR FILM Are You a Film Podcast Fan? Film critics Chris Olson and Brian Penn host a monthly podcast for all types of film fans! Whether you like the latest blockbuster releases, or streaming is your thing - we have you covered. We even review short and independent films on the podcast. Our final review is usually for a "Nostalgia" pick - something from the past worth revisiting. Previous picks for this have included Jaws, The Fly, and Good Will Hunting. Search UK Film Review Podcast wherever you like to listen and join our global community of film lovers. Film Reviews from UK film critics LATEST REVIEWS Holier Than Thou One Night Stand Fyre Rises Post Homeless N.I.L.ionaires The Ugly Stepsister Sinners In A House, At Night Dead Mail Left One Alive The Wedding Banquet Load More

Read music video reviews by film critics at UK Film Review. Submit your music video for review by clicking Get Reviewed at the top of the website. Music Video Reviews One of the most exciting sub-genres our critics review is music videos. They are often incredible pieces of storytelling, either in their own right or aligned with the song playing over them. On this page you will find a great selection of music video reviews from the team of critics at UK Film Review. If you are a filmmaker or artist who would like us to review your music video, submit your film here . When it comes to reviewing a music video, the process differs slightly from perhaps a narrative short film or documentary. The music has to be explored far more intimately than if it were a soundtrack because that's where the story originates from rather than being added further down the line. Music videos do conform to genres but these are often musical genres rather than film categories, for example pop, folk, rock, rap etc. So this will also influence the music video review our critics write because the target audience is going to be considered. Music videos may take a variety of forms or even combine different aspects to create a different effect on the viewer. For example, it is common for a music video to contain a small narrative, as well as live performance footage. Top filmmakers making music videos will be able to immerse you into the song and story without leaving you feeling like you have just watched a promo piece. Choreography is also a common trait in music videos, with dance sequences and flash mobs recurring - often in pop music videos. Editors of music videos will have their work cut out to ensure the choreography looks tight and engaging without it feeling staged or lifeless. Hopefully the array of music video reviews you see below will include some gems for you to peruse. Don't forget to scroll to the bottom of the article, as we often include the actual music video so you can watch it for yourself. The Road Back Patrick Foley It Feels Good Jason Knight All My Life Jason Knight Unspoken by LT Jason Knight A-Train: New Beginnings Jason Knight The Dragonborn Comes-Main Theme Jason Knight The Panharmonion Chronicles: Times of London Patrick Foley Lost All Care Joe Beck Everything Will Dissolve in the Void James Learoyd Ain’t my Vibe Short Music Video Review alexjames96 Jun 6, 2024 2 min read Cinerama (Music Video) Short Film Review alexjames96 Mar 17, 2024 2 min read Homecoming (Music Video) Short Film Review alexjames96 Dec 19, 2023 2 min read Sheep F-cked In the Head Short Film Review alexjames96 Nov 16, 2023 2 min read Service for The King short film review Theo Aug 1, 2022 2 min read Stroke Code Music Video Review Chris Olson Sep 28, 2021 2 min read More Film Reviews

Short film reviews from some of the best movies in the UK. Read reviews from some of the best short film critics. Short Film Reviews Welcome to the UK Film Review page for short film reviews . Here you will find some of the best and brightest sparks in a sea of cinema. Filmmakers from across the globe submit their short films to us to be reviewed, and our Contributors lovingly dissect them. If you would like one of our team to write a film review of your short film, please use the form on our Submit Your Film page Our short film reviews are written by passionate film critics across the UK and aim to highlight and promote terrific filmmaking when we find it. We are always honest with our reviews, so if you are looking to submit your short film for review, please do so knowing that we will not alter what we have said because you don't like it. There is a wealth of amazing talent in the short film industry, and we hope by writing film reviews about this underexposed creativity we can get your movies to a new audience...but we need your help. Please join in the chatter on our social media channels so that we can grow our community and share the joy. Use the buttons in the footer to Like us on Facebook, Follow us on Twitter, and Subscribe to us on YouTube #supportindiefilm. The selection of short film reviews you see below are mostly for films submitted to us. In this instance, the filmmaker has requested us to watch and provide a short film review. Alternatively, visit our Latest Short Film Reviews page . Get Your Short Film Reviewed Demzzz type beat Short Film Review Chocolate Chip Short Film Review A Plus Short Film Review Filmmaker Interview with Will Hawkes The Curious Clever and Collectively Convoluted Case of Detective Ebeneezer Maisonette   Short Film Review Hardwicke Circus: The Prison Gig Short Film Review Through the Stew Short Film Review Filmmaker Interview with Zehua Yang Isabella Short Film Review Finger Food Short Film Review Warrior: Predator Short Film Review A Hell of a Trip to Delicias Short Film Review No Tell! Short Film Review Last Rendezvous Short Film Review In The Moonlight Short Film Review Bridge Short Film Review Bird Drone Short Film Review Ain’t my Vibe Short Music Video Review Surprise Short Film Review A Happy Ending Short Film Review More Film Reviews Holier Than Thou Jason Knight One Night Stand Patrick Foley Post William Hemingway Homeless James Learoyd N.I.L.ionaires Jason Knight In A House, At Night Patrick Foley Bardo Jason Knight Embrace Joe Beck Angeline William Hemingway Printer Head Swati Verma Bitter Taste Jason Knight Only A Call Away Patrick Foley Decoy Jason Knight The Whisper James Learoyd Peekaboo William Hemingway Go Fund Me Patrick Foley Inappropriate James Learoyd Close of Play Jason Knight The Stork Patrick Foley The Tuvalet Bash William Hemingway Gnome Heist Chris Buick Parasocial James Learoyd Higher Knowledge Patrick Foley Hidden Wounds Jason Knight The Road Back Patrick Foley Load More Reviews What is a short film review? A short film review is often written by a movie critic and it's their opinion on a film that is less than sixty minutes long. Short film reviews still explore every aspect of a movie. How do I write a short film review? Writing a short film review needs to cover multiple aspects of the movie. Including the script, the characters, performances, cinematography, score & sound design, editing and so on. Sometimes we consider the piece only as a short film; whether it works in that format, other times we may think of it as a "proof of concept" for something longer, or perhaps a piece of a web series/TV show. These can be important to consider when writing a short film review. How long should a film review be? A film review should be as long as the house style. Some publications provide lengthier reviews than others. A general minimum word count would be 500. This may be also for SEO reasons, as short film reviews that are longer may be more likely to rank higher on Google. The important thing to remember is that the review should be well-structured, not full of bloated points to fill up the word count. How much money do film critics make? Film critic salaries depend massively on their publication. Many film critics are freelancers, meaning they get paid per review and sometimes this is based on word count. Making money through film reviews can be challenging. Video Short Film Reviews Below you will find a selection of short film reviews in video form! This is where one of the UK Film Review Critics records their review and we upload it to our YouTube channel (as well as TikTok and Meta Reels in some cases). A Place to Fall Down Short Film Review by Chris Olson A short film about coping with loss and grief, film critic Chris Olson gave A Place to Fall Down 4 stars. Watch his video short film review here to here from the man himself about his thoughts and feelings. OK/NOTOK Short Film Review by Patrick Foley In this short film review from Patrick Foley, he gives us his opinion of the brilliant movie OK/NOTOK. Set in a futuristic world where AI robots are available as companions (as long as you can afford the subscription), it's a riveting piece. Betrayed Short Film Review by Chris Buick Film critic Chris Buick offers up a fantastic video short film review for Betrayed. A movie about a girl with special powers who, with the help of her protective father, must elude those who would use her for nefarious means.

Filmmaker Interview by Chris Olson Hi Ranw, great to be interviewing you. Please tell us a little bit about you and your filmmaking? Great to be here—thanks for having me! My name is Ranw Aso-Rashid. My journey into filmmaking has been anything but traditional. I originally studied Biomedicine at the University of Westminster before becoming a qualified science teacher and later Head of Department at a secondary school. But storytelling has always been a passion of mine. At 19, I made my first micro-short film on an iPhone. Later, while teaching, I started making films with my students, which eventually led me to establish AR Studios. Since then, I’ve written, produced, and directed 10 films, including Whispers of Redemption, The Silent Choice (a KINO Original currently on the international festival circuit), and Our Little Act of Rebellion, an international co-production. At AR Studios, I’m fortunate to work with incredible industry mentors, including development consultant Deborah Sheppard, script consultant Pete Daly, and Executive Producer Marcus Liversedge. Our ambitious documentary slate is now entering production, with support from Oscar-nominated producer Hanna Polak and BAFTA-nominated executive producer Clare Richards (Founder of We Are Doc Women). Beyond my work as a filmmaker, I also serve as a judge for the BIFA-qualifying KINO Film Festival and the British Short Film Awards. Filmmaking, for me, is about telling stories that challenge perspectives and leave a lasting impact. I’m always looking for bold, meaningful narratives that push boundaries. Tell us about your new film, Our Little Act of Rebellion. How would you describe the plot of the movie? At 75, Konstantine spends his birthday reminiscing over old photographs with his caregiver, Eleni. But when he stumbles upon a picture of Aysha—a woman he met in a private music club in 1974—memories he thought were long buried begin to resurface. What starts as nostalgia soon unravels into something deeper, revealing a past intertwined with political turmoil, forbidden love, and the secrets hidden within music. As the echoes of that fleeting yet powerful connection grow stronger, Konstantine is drawn back to the club that once changed everything. But some stories aren’t finished yet. Why did you want to make this film? I was drawn to this story because it weaves together themes of forbidden love, political tension, and personal memory—elements that resonate across cultures and generations. At its heart, it’s a deeply human story about connection, loss, and the way the past lingers in unexpected ways, especially regarding experiences that have remained hidden until this film came along. Unlike many filmmakers, especially producers, I am risk-focused rather than risk-averse. I actively seek out bold, challenging projects rather than shying away from them. Knowing how complex this film would be—both as a story and as an international co-production—only fueled my determination to make it happen. I also saw it as an opportunity to push myself, working with a reasonably sized professional crew while ensuring underrepresented stories reach a wider audience in mainstream indie cinema. It sounds great! What were the challenges getting it made? Every film comes with its challenges, and this one was no exception. Time always seemed to be slipping away—long shoots, tight schedules, and the constant race against the clock. There were moments when shots needed to be changed, and I had to ensure the crew stayed on track to keep to our schedule. But, honestly, I thrive in high-stress situations, and I approached these challenges with humor and a calm mindset, which helped keep the momentum going. I made sure to personally know the crew by name, thank everyone for their efforts, and keep the camaraderie with the cast strong. They were absolutely superb, and maintaining that positive energy throughout the process was key. The live music scenes were particularly time-consuming to set up, but I leaned on my teaching background to break down clear instructions for the crew, ensuring everyone knew exactly what we were doing. Seeing the crew and cast working in harmony was incredibly rewarding. Despite the long hours, I found it all fun—there's something exhilarating about being in the thick of it. I remember when we wrapped at nearly 2am on July 31st, I still had the energy to shoot! But, of course, we had to wrap eventually. What stage is the film currently in? The film finished post-production in February 2025, and is about to begin its festival journey, courtesy of KINO London. Our world premiere will take place in Athens this summer, followed by a special screening in London later this year. For those eager to get a first look, we’ll also be releasing the official trailer on our social media channels soon. We’re currently in talks with ERTFLIX for a Greece-territory acquisition, as well as discussions with distributors for global distribution. After completing its festival run, the film will be available on demand via Vimeo and other key distribution platforms before eventually being fully publicly available online. Why do you make movies? I make films because stories are the most powerful way to connect us—to our emotions, to each other, and to the truths we sometimes struggle to face. At the heart of my work is human fragility—the raw, unfiltered moments that shape us. My stories often come from the many students and young people I have taught, coached, and mentored. Their struggles, dreams, and resilience have profoundly influenced my storytelling. I want to give voices to experiences that might otherwise go unheard, to explore sensitive topics with honesty, and to challenge genre conventions in ways that feel fresh and daring. I am heavily inspired by Frank Darabont’s screenwriting, the visceral, unapologetic storytelling of Quentin Tarantino, and the way Christopher Nolan elevates narrative through music—how a single note can change everything. There is always a part of me in the stories I write, produce, and direct. Each film is, in some way, a reflection of something deeply personal. And ultimately, telling these stories isn’t just thrilling—it’s cathartic. It’s therapeutic. My journey into filmmaking began in the classroom, at Friern Barnet School, with the support of my headteacher, Simon Horne. I started making films with my students, and that experience changed everything for me. Watching young people gain confidence, discover their creative voices, and see new career possibilities because of filmmaking—that was the moment I knew this was what I had to do. To this day, I’ve had over 130 students involved in my productions, gaining work experience, volunteering, receiving mentorship, and even landing their first paid jobs. That impact, that ability to shape lives through film, is what drives me. I make movies because I believe in the power of storytelling—not just to entertain, but to inspire, challenge, and transform. What advice would you give to someone just starting a career in filmmaking? The best advice I can give is simple: just start. Film school can help, but not essential. I did biomedicine at university and have learnt my way into the industry. Only do it if you're passionate though. Don’t wait for permission, don’t wait for the perfect camera—use your iPhone, your Android, whatever you have. Make films with your friends. Experiment. Learn by doing. The more you create, the more you’ll grow. Go to networking events. Find people who are passionate about what you love. Surround yourself with those who push you to be better. And if you’re serious about getting into the industry, reach out to AR Studios. We’re highly connected in the independent film scene, not just in the UK but increasingly in Europe and the USA. We’ve provided countless opportunities for young filmmakers to connect with experienced Heads of Department and industry professionals—people who can help you take that next step. But beyond that, understand this: filmmaking is an incredible but tough industry. Don’t enter it expecting to make friends in the personal sense—protect your boundaries, know your worth, and be mindful of who you let into your creative space. Educate yourself on the challenges and issues within the industry, and always stay informed. Read up on what’s happening in film every week using online outlets. Knowledge is power. Above all—keep making work. No one’s going to hand you a career. You build it, one film at a time. Who would you love to work with and why? I would absolutely love to work with Colman Domingo. As an actor, he brings an incredible depth to every role he plays, and his performances are always layered with so much truth and intensity. What really draws me to him is not just his talent, but his dedication to storytelling—how he fully commits to his characters and elevates every project he’s part of. I also deeply admire the way he helped bring Sing Sing to life. His involvement went beyond acting—he was part of the creative process, working to ensure the film was made with authenticity and heart. That kind of passion for storytelling and commitment to meaningful projects is something I resonate with. Working with someone like him, who not only delivers powerhouse performances but also understands the bigger picture of filmmaking, would be an incredible experience. What's next for you? Next, I’m diving deeper into TV development. I’m currently working on three TV series, one of which is an adaptation of Our Little Act of Rebellion. It’s a project I’m incredibly excited about, and I’m in talks with a potential co-producer to bring it to life. On top of that, a major streamer has officially solicited the submission of the project, which is a thrilling next step.

★★★★ Starring: #Demz, #RoryWaltonSmith, #TeniOsho Directed by: #Shayaan Short Film Review by: Alexandra James Demzzz Type Beat , directed by Shayaan follows three gang members as they make themselves known across the city, inflicting violence on those that attempt to cross them. However, for one of the members, he becomes haunted by those he has killed, and we witness the conflict between the loyalty to his crew and his conscience. With a few twists and turns Shayaan creates a dark and gritty short film and exposes the dangerous corners of the city and those that fight to become top dog at all costs. What really stood out within this short film was the editing, from the beginning the audience are met with a very enticing scene as our main character is walking towards the screen and another character is running backwards in slow motion. Very intense and dramatic and completely gripped me. The locations in every scene were similarly noteworthy, looking up at the city and taking it all in the vastness and striking buildings, contrasted by the underground dark and gloomy car parks with the broken lights adds a lot of depth to the story. The acting was a bit of a mixture, many of the scenes were convincing and reflected that hard exterior of a gangster. However, there were times when that masked slipped and points where we needed that strong, no-nonsense attitude which did not always seem to come across. For the main character, this is where that blend of toughness and fear was prominent and necessary, the character himself had many layers than what meets the eye. This was a very interesting storyline and character to pick apart, as you go deeper into his conscience you can see that there is more to him that is complex as he battles with what’s right and wrong but also keeping up this tough persona which makes for a perfect main character to follow. A very hard-hitting short film with great characters that make you want to invest more. Director Shayaan has really elevated this piece with his use of dynamic editing which really added his own uniqueness and created an original flare, these simple touches are what shapes your own stamp to your work and sets this film apart from the rest.

★★★ Starring: #AshleyLarson, #JakeMoon, #CristenStephansky, #ClareWilliams, #AndyZibritosksy Directed by: #JimHails Short Film Review by: Alexandra James Chocolate chip a crazy an absurd short film that shows the effects of how bad pregnancy cravings can get! However, this might be a slightly exaggerated interpretation, but the emotions are very much the same. Director Jim Hails creates a series of surreal scenes and introduces us first to the character Sarah Wilson, a young woman who is heavily pregnant eating snacks and watching TV late into the night. An advertisement for a chocolate chip cookie appears on the screen, this is all she can focus on and becomes fixated with feeding this hunger. After much deliberation she decides to make the journey to locate some cookies, however, along the way Sarah is met with some extraordinary scenarios. One word to describe this film would be trippy, there is an edge to this film that makes it unique and even have a retro feel to it, from the style in which the TV adverts were filmed to the locations such as the small diners and laser tag spot. The film is left to the audience to determine whether this is a hallucinogenic nightmare or an anxiety driven storyline from the perspective of Sarah. It’s an attempt to convey just how deep her emotions run from the viewpoint of a pregnant woman. As Sarah attempts to scout out the chocolate chip cookies, she has a strange encounter with a robber, who demands all the money from the till but also all the chocolate chip cookies in the joint. A disgruntled Sarah abides but can’t help but think this is completely unfair and takes it upon herself to track down this cookie thief and take back what’s rightfully hers! This film may seem a little far-fetched to some, but it does make for a funny and engaging storyline. The acting seemed overexaggerated in some scenes, but this was to match the overall craziness and did still work well. I did really enjoy the way this short was filmed the look and feel of the film did have that retro vibe which ultimately felt quite comforting in a strange way, but coupled with the crazy storyline it gave the film a twist and want to engage more with the characters and ultimately find out how this story ends for poor Sarah and her strong desire for a simple chocolate chip cookie. Jim Hail certainly pushes the boundaries of absurdities and Chocolate Chip  reflects this madness in every sense. The cinematography, locations and actors really helped to develop Hails own flare to build a very strange short film that boggles the mind and question reality, as well as really crave a chocolate chip cookie!